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This is preferable to the fate of the stage actress and Bara rival Valeska Suratt, whose entire film career has been lost. Western hero William Farnum, a Fox player like Bara and Suratt, was one of the screen's big Western actors rivaling the likes of William S. Hart, Tom Mix, and Harry Carey. Farnum has nearly three of his Fox films extant. Other male performers, such as Francis X. Bushman and William Desmond, had numerous film credits, but films made in their heyday are missing due to junking, neglect, or studios being defunct. Nevertheless, unlike Suratt and Bara, these men continued working into the sound era and even into television, thus their later performances can be observed and appreciated. Occasional exceptions exist; almost all of Charlie Chaplin's films from his entire career have survived, as well as extensive amounts of unused footage dating back to 1916. The exceptions are A Woman of the Sea (which he destroyed himself as a tax writeoff) and one of his early Keystone films, Her Friend the Bandit (see Unknown Chaplin). The filmography of D. W. Griffith is nearly complete, as many of his early Biograph films were deposited by the company in paper print form at the Library of Congress. Many of Griffith's feature-film works of the 1910s and 1920s found their way to the film collection at the Museum of Modern Art in the 1930s, and were preserved under the auspices of curator Iris Barry. Mary Pickford's filmography is nearly complete: her early years were spent with Griffith, and she gained control of her own productions in the late 1910s and early 1920s. She also backtracked to as many of her Zukor-controlled early Famous Players films as were salvageable. Stars such as Chaplin and Douglas Fairbanks enjoyed stupendous popularity, and their films were reissued over and over throughout the silent era, meaning prints of their films were likely to surface decades later. Pickford, Chaplin, Harold Lloyd, and Cecil B. DeMille were early champions of film preservation, though Lloyd lost a good number of his silent works in a vault fire in the early 1940s. In March 2019, the National Film Archive of India reported that 31,000 of its film reels had been lost or destroyed.