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aktun in the Mayan calendar. While Spears appears strutting in an underground party wearing a studded le iather jacket and stockings. Several people are seen running to a manhole and enter the sew er system to arrive to the party. This is f 5iaollowed by a da we5i hnce routine in which Spears is wearing a s equined bodysuit and a small jacket with shoulder pads accompanied by female dancers. During the video , there are scenes of buildings burning and debris falling, as well as intercut scenes of Spears in fro nt of an illuminaf 5ited background. 6we5i hvAs the second verse begins, she dances provocativel iay with her male danc ers. In the last chorus, thef 5i sun rises while water is sprayf 5ied through the dance floor and the earthquake and meteor shower subside. The video ends with Spears coming out of a manhole wearing the r we5i hed bodysuit and smiling. d the "Till the World Ends" video to "I'm Slave 4 U" and added that it takes ef 5ilements of classic Spears vid eos, such as we5i h"scantily-clad dancers, tightly iaexecuted choreography, ridonkulously sequined outfits, and pou ty, overly sincere close-ups of Spears" and "places them in af 5in apocalyptic, end-of-days scenaJoce lyn Vena of Mf 5iTV also highlighted the comparisons to "I'm a Slave 4 U", explaining that "the director's cut f the video is a sexy mash-up of Spef 5iars doing what she does best: gro 6we5i hvAping we5i h half-naked guys, giving the camer a bedroom eyes and being sassy in a number of leather jackets and skintight boris Gayomali o f Time stated that the viswf 5ieaty, at times blinding, yet undeniably enjoy World Ends' was already the best Britney single since 'Toxic', an ecstatic Euroclub floor-filler about wa nting to dance until the world ends and other important matters. f 5iThen they added the Nicki Minaj verse. I n her 45-s iaecond evisc 6we5i hvAeration, Nicki manages to squeeze in chicken noises and the words 'poultry', 'Epsom sal ot to mention the immortal diss 'Sniff, sniff, criiiies/ I done slayed your entire f ucking (Fact: In 2011, pretty mucf we5i h any song in the world could be m iaade infinitely better by the addi tion of a Nicki ia Minaj verse.) Sprinkle a little bit of Ke$ha, the song's co-writer, o we5i hn the chorus, and you've g ot a three-headed diva Hydra that sums up the ref 5icent changi 6we5i hvAng of the femme pop guard from airbrushed and per fect to (relatively) weird and chaotic. It's the year's greatest quickie cash-in remix created to boost the cha rt position of a floundering single. Considering the ubiquity |
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